Hannes Grebin cubist interpretations of German 70s furniture.
The respective original object shouldn’t be reduced just to absurdity. I rather “zeroed” its geometry or sometimes I only rearranged it. A precise assignment of functions of the resulting un-or non-forms is now only possible through their texture (fabric) or applications (fringes, patterns, lace doilies), which are radiating neatness and a certain familiarity in spite of the predominant geometric dissonance. This creates the very disturbing effect of these. Despite its fractal and asymmetric geometry the furniture perfectly meet the demands of ergonomics. Thus I wanted to erupt from the everlasting symmetry of furniture.
